Kawajiri Residence

Shinobu has a personality closer to that of a younger woman than a responsible mother, detesting her marriage. While she felt no hatred towards Kosaku, her relationship with him was cold and full of regret. She wished for more excitement in her life and often lashed out at her husband and son out of frustration. Though she resents her son for trapping her in her marriage, she occasionally reaches out to him, only to be ignored. She is very pleased when he finally begins to return her affection.

However, once her husband's appearance is stolen, her relationship with her "husband" improved as his new sudden care for her. From cooking meals, stealing money for the landlord, and protecting her from Stray Cat, Shinobu's romantic affections for her "husband" are rekindled, excited by his sudden change in personality. By the end of Part 4, she lovingly awaits his return but is unaware that both her original husband and the man who took his identity are gone.

She claims to have the type of character that is usually liked by cats.

Shinobu is a woman of seemingly average height and slim build, with hair that is parted to the right and tied back in a low ponytail. Sometimes, like in her first appearance, she will tie back several locks of hair that are part of her bangs.

She wears several different outfits throughout the series, most of them having skirts and patterns such as polka-dots.

And on another occasion, he saved a man from being crushed between two speeding trains by transforming his body into a book so that he would be flat enough to fit between them. In the TV drama adaptation of Deoxyribonucleic Acid, instead of Heaven's Door's usual ability of transforming certain body parts, the memories of the characters Kyoka Izumi, Mao Katahira, Mai Katahira, and Taro Hirai are shown by literally transforming their entire being into picture books.

MEMORY REMOVAL
By removing pages, Rohan causes his target to lose any memories detailed there, along with a proportionate quantity of body mass. Should Rohan receive a substantial amount of physical damage or be knocked near unconscious, the removed pages will automatically return to their original source.

By writing into the pages of a person or object transformed into a book, Rohan may alter or erase memories, or put hypnotic-like commands into the person's mind.

A particular command Rohan likes to instill in targets is the Safety Lock (安全装置セイフティーロック, Seifutī Rokku), in which he writes in a command that prevents the target from attacking him.

Rohan's target will obey commands written into them closely, even against mental resistance (for example, despite a phobia of immolation, Okuyasu is forced to hold a lighter to himself). Other impressive feats include commanding Josuke to fly backwards at 70 km/h (43 mph) or allowing Koichi to speak Italian.

After stealing 1/3 of Heaven's Door with his Stand Boy II Man, Ken Oyanagi has shown the ability to erase and rewrite Rohan's commands.

Rohan may write commands on himself. In one example, by writing on his forehead, he commands himself to repress all memories of the events of Rohan au Louvre, though they return after the command rubs off.

Heaven's Door's basic ability allows Rohan to turn any living being into a book, with pages unfurling from their bodies in the shape of the body part it opens from (for example, if it opens from the face, the pages take the shape of the person's entire face). While under this effect, targets may experience varying degrees of incapacitation.

The books contain detailed and absolutely truthful information about their subject, including physical characteristics, memories (from their earliest to most recent), thoughts, personality traits, and Stand details, if applicable. Rohan primarily uses this ability on people but it can also be used to turn animals and plants into books for the purpose of writing commands. He finds it easier to write commands into animals with higher intelligence than into humans, attributing this to the animals' simpler psyches. In animals, the books present relatively literal descriptions of their thoughts and behaviors. He can even use the ability on cooked meat, turning a chicken leg into a book to determine its expiration date.

Rohan can also unfurl his own body into pages, allowing others to read his information. However, he cannot use this ability to retrieve his distant, forgotten memories or foresee his future.

A dying subject's details are shown to gradually fade from the book. Despite this, Heaven's Door is effective on both ghosts and the undead, as demonstrated with Reimi Sugimoto and zombie-like spirits in Rohan au Louvre.

Occasionally, it is demonstrated that since people under the effect of Heaven's Door have their bodies transform into books, Rohan can exploit this forced physical transformation to his advantage. Notably, Rohan has used this power to unravel Okuyasu's limbs, and on another occasion, he saved a man from being crushed between two speeding trains by transforming his body into a book so that he would be flat enough to fit between them.

Heaven's Door was initially decided not to have a physical form of its own because of its ability to turn people into books, but it takes on a full-fledged body in later arcs. Rohan may summon it or induce its effect with either drawings of it on paper or an air drawing with his finger, where only its outlines are visible.

Heaven's Door resembles a small boy with the appearance of Rohan's manga character, Pink Dark Boy. It wears a long overcoat, closed to the end of its torso, and a bow tie. Its face has an outline that connects to lines emanating around its eyes. It also wears a transparent top hat with a checkered pattern at the bottom.

In Thus Spoke Kishibe Rohan, the hat more closely resembles a bowler hat instead. From Deoxyribonucleic Acid onward, Heaven's Door is depicted with vertically-segmented eyes, rather than its regular eyes in earlier works.

Heaven's Door is a weak close-range Stand unsuited for direct combat, but has several powerful abilities. For an inquisitive manga artist like Rohan, Heaven's Door is a handy way to gather research material out of people's pasts without the hassle of an interview.

During its introductory arc, Heaven's Door acts when Rohan's target sees it or an image of it drawn by him. However, closing one's eyes or being simply unable to process the image, like being filled with blind rage, will make the opponent immune to Heaven's Door. After being defeated by Josuke Higashikata, Rohan learns to activate Heaven's Door by creating a drawing in mid-air with a pen or with his finger.

Later on, Rohan can also summon a physical form of his Stand. He can affect anyone either by directly touching them or if they enter the limited range of his Stand.

exposing a Stand formerly bound to an object; and tracking by restoring a severed hand, forcing it to seek out and reattach itself to the body from which it was cut off.

If this ability is used while Josuke is in a foul mood, its target may become warped as a result of improper restoration. Crazy Diamond's ability cannot heal its user, cure illnesses (as victims are not considered damaged), retrieve things erased by The Hand, or restore life to a dead organism.

Josuke frequently uses this ability to heal his allies, pull himself or objects into an advantageous position, or trap enemies by repairing a whole object around them. He can also use outside-the-box stratagems that take advantage of the properties of an object's former state. Finally, Josuke can willingly botch the process and fuse objects together by punching them and affecting them at the same time. For example, he can fuse a person with a rock (as with villain Anjuro Katagiri).

Crazy Diamond is a Close-Range Stand, which like Jotaro Kujo's Star Platinum, is characterized by its physical might and speed at the cost of a short range of 2 meters. Its basic characteristics are:

Super Strength: Crazy Diamond possesses immense physical strength, having been able to easily punch through the abdomens of two people at once. Its strength is somewhat comparable to that of Star Platinum, having once successfully broken its defense. Jotaro was initially caught off guard by this encounter, prompting Jotaro to remark that Star Platinum in its unused state would have difficulties against Crazy Diamond with its shortened time stop.
Super Speed: Not only is it capable of surprising an on-guard and fully charged Red Hot Chili Pepper, but Crazy Diamond can also outpace other Stands such as Highway Star in close combat. Josuke estimates that its strikes exceed 300 km/h (190 mph). It was also able to catch a bullet fired in close proximity to Josuke.
Precision: According to Jotaro, it can effectively fire off a rifle bullet from its fingers up to 50 to 70 meters when Josuke concentrates.
Thus, Crazy Diamond is a powerful Stand in close-quarter combat whose capabilities are enhanced by its unconventional power of repairing broken items, making it a redoubtable and unpredictable Stand in a fight, but also an invaluable fighting partner as it can effectively heal any wound.

RESTORATION
Crazy Diamond's unique ability is to restore or revert objects or organisms to a previous state in their history through contact.

It can repair damage, heal injuries, and revert chemical changes and complex structures to their raw components (e.g. a table into its constituent timber). When restoring a divided object, the user is able to control which part acts as the starting points for the rest to gather towards.[12] Feats of this nature include trapping an enemy by restoring pieces of a broken crate around him; exposing a Stand formerly bound to an object;

Crazy Diamond is a humanoid Stand with a muscular build and tall stature, usually standing at around Josuke's height or taller.

It is clad in circular, oval, cylindrical, and heart-shaped armor plates that cover most of its body. On its head is a tall helmet shaped like a heart from the top, that occasionally resembles a Corinthian helmet. Some type of cables or tubes connect its upper back to the back of its head, or in some early cases, to the back or sides of its neck. It bears a heart motif between the top of its helm, chin, shoulders, upper abdomen, belt, and knees. Short spikes protrude from its shoulders, ankles and head. Towards the end of the Part 4 manga, Crazy Diamond is depicted in some panels with a small nose visible underneath its helmet.

It was designed to contrast with Star Platinum's blackish color scheme.

Crazy Diamond has no distinct personality, usually with an angry or blank expression during fights apart from shouting its Rush Attack "DORARARA!" when attacking; which is similar yet uniquely distinct from that of Stands belonging to other Joestars. In a very small handful of scenes, Crazy Diamond has shown emotion through facial expressions, such as fear during the fight with Bug-Eaten.

Crazy Diamond was named by Jotaro Kujo.

Okuyasu likes to refer to this technique as "teleportation".
However, this property is not always portrayed like that, as it was shown that The Hand swiping through the ground could leave craters.

This power has several weaknesses. Because the elimination is concentrated within The Hand's palm and it must make a swiping motion, it is possible to grab its arm and block it as Crazy Diamond did or for a fast Stand like Red Hot Chili Pepper to evade it.

The Hand appears as a humanoid figure typically in attire similar to football pads, though it has several spikes jutting from them. A towel-like object drapes over its shoulders, with a dollar sign ($) symbol on one end and a yen (¥) symbol on the other — corresponding with Okuyasu's fashion theme of currency symbols. On each side of the Stand's face are blinders that cover its headlight-shaped eyes and limit its vision, a result of Okuyasu's impulsive demeanor. Its right hand has spiderweb-like lines on the inside, along with two bumps on its palm. However, these features on its right hand were not shown until later chapters.

The Hand is a heavily battle-oriented Stand. Similar to Crazy Diamond, The Hand is a powerful short-ranged Stand that can easily wrestle with the former, although it is not as fast.

Its unique power of space erasure makes it theoretically one of the strongest Stands of Diamond is Unbreakable, but as Josuke points out, Okuyasu's slow wit dampens its potential.

Anything that The Hand's right palm touches when it does a swiping motion with its arm is erased from this universe, be it physical matters or space itself.

Similar to Cream's, this ability effectively removes whatever is in the Stand's path from existence in accordance with the user's will. Objects that are subjected to the ability appear as if an extremely sharp blade had sliced clean through them. Okuyasu also states that not even he knows where the voided objects go.

Whenever The Hand erases something, the voided space is usually immediately filled and "stitched up" by adjacent space and objects, effectively removing any traces of the removed object's existence. The space elimination and this curious property gives the normally short-ranged Stand substantial ranged capabilities, as it can simply remove the space between itself and a target to bring them closer or have Okuyasu come to them.

Ora Ora: is Star Platinum's primary method of attack. It throws an extremely fast but precise barrage of powerful punches to pulverize an opponent or destroy objects. It is also called Ora Ora Rush.

Star Finger: Star Platinum can forcibly extend its middle and index fingers to around double its original length, allowing it to perform sneak attacks and stab opponents from slightly outside his own range. The technique's frequency of usage decreased as battles intensified. Star Platinum only uses Star Finger twice in the manga: once against Dark Blue Moon, and once against Forever. However, in the anime, it uses it a third time against Polnareff wielding Anubis. The length of his extended fingers is made significantly longer in certain media outside the manga, like the anime.

Star Platinum: The world:
During the final battle with DIO in Stardust Crusaders, Star Platinum awakens the ability to stop time. The technique is referred to by Jotaro as Star Platinum: The World, named after the late antagonist's Stand, The World.

When activated, Star Platinum is able to halt the flow of time for a brief moment (several seconds from the point of view of Jotaro), causing everything around him to appear frozen in place. During these few seconds, Jotaro remains conscious, able to move or interact with any object or person within his range, and apply force to them. Likewise, he is able to act within a time-stop activated by another source, such as The World, although his time limit remains (see the table below). He is unable to use the ability consecutively, requiring a few seconds in between each usage.

As one of the most powerful Stands featured in the series, Star Platinum has an overwhelming physical prowess in every basic characteristic, save for range. Coupled with Jotaro's own cleverness in combat, the Stand is capable of defeating most Stand users without the use of any complex abilities. In addition, Jotaro's eventual discovery of its true potential only makes it all the more formidable in combat.

Star Platinum primarily excels in attacks that combine its power, speed, and precision. By combining speed and precision, it can intercept countless flying knives one after another, as demonstrated in the battle with DIO. Its superhuman capabilities apply to various parts of its body.

It possesses immense strength, being able to throw a Jeep carrying four men and a girl out of the path of an 18-wheeler with one hand, later pulling the same Jeep out of a canyon with only a car as a counter-weight, and destroy High Priestess's teeth, which were claimed to be as hard as diamonds. This same strength allows it to launch itself and its user into the air to clear long distances. Star Platinum can also inhale with superhuman lung capacity, capable of sucking in the entire fog Stand Justice and holding it long enough for its user to suffocate and subsequently faint.

Star Platinum also boasts phenomenal speed, able to intercept a bullet fired from point-blank range and briefly contend with Silver Chariot dual-wielding Anubis. It's able to defend its user from various attacks such as Hierophant Green's Emerald Splash or The World's strikes, and minimize environmental damage when Jotaro is sent flying through objects.

Star Platinum is also incredibly precise; it can surgically remove an object embedded in a person's skull without ill effect, catch both a bullet and a minuscule Stand like Lovers between his thumb and forefinger in midair, and create a near photo-realistic drawing of a small fly from a dark, blurry photo.

Star Platinum is a humanoid Stand, resembling a tall, well-built man of similar proportions to Jotaro, if not more muscular. It has been stated to have a somewhat blackish tone. In colored art, its skin is often a hue between purple, blue, green, and small bits of gold. Its face and body have varying colors.

It has long, flowing hair with a darker shade above its eyes and on the bridge of its nose, blurring the distinction between its hair and head. The spaces under its eyes and on its cheeks and chin are a darker color and divided clearly from the space around its nose and mouth. It wears a cap on its chin, and a metallic headband in three pieces, the central piece of which is shaped as a vertical ellipse. Initially, its facial features were very similar to Jotaro's.

Despite not having a consciousness of its own, Jotaro has described Star Platinum as very violent. It is silent, except when it throws punches, during which it cries "ORAORAORA!" loudly and repeatedly. With a relatively human face, it may show hints of emotion by scowling and smiling.

Star Platinum demonstrates a sense of self-preservation, as seen when it halts a bullet Jotaro experimentally shoots at his own head, protects an incapacitated Jotaro from DIO's attacks during Time Stop, and revives him from near-death by directly pumping his heart[8] (however, considering Star Platinum's pioneering role in the series, this capacity may speak primarily to the metaphysical or subconscious qualities of Stand users).

In the original manga, Star Platinum, early on, is seen with a wide, disconcerting smile. Later on, Star Platinum gains Jotaro's stoic visage, with its future grins only serving to warn the unlucky target of Jotaro's rage that they are about to experience an unimaginable amount of pain.

Star Platinum is named after the 17th Tarot Card, The Star, which symbolizes optimism, discernment, and hope.

It is unknown if non-Stand users can see or feel the explosions, but they can see a victim of an explosion die. Additionally, the explosion does not seem to generate much sound to anyone other than the victim, as Josuke and Okuyasu heard Shigechi call out to Josuke just outside of their classroom, but neither of them were aware of the ensuing explosion. Additionally, there were at least two other students in the same hallway as Shigechi when he was killed, but neither seemed to be aware of his demise as their backs were turned to him when he was killed and all evidence of an explosion dissipated within less than a few seconds.

Matching Kira's desire to keep his murderous life a secret, anyone detonated by Killer Queen is completely incinerated with their body, their clothes and any personal belongings they were carrying being completely vaporized at the atomic level, leaving no trace; however, it is possible for a victim to survive an explosion if it comes from a nearby object instead of their own body, though this is a rare occurrence. In one instance, Kira is seen able to vaporize a hand slowly instead of it exploding immediately. Kira can also control the size and strength of Killer Queen's explosions as well as what parts of a victim's body are vaporized, usually resulting in Kira destroying his victim's body except for their right hand to keep.

Inanimate objects can cause collateral damage upon detonation, even being dangerous to Kira himself, unlike living beings blown up. Killer Queen can also charge Stands as bombs, which is implied by its strategies during all of its Stand clashes, as well as being shown when Kira uses a coin to turn the Harvest that was holding it into a bomb, destroying Shigechi's face.

There are several limitations to this ability. First, if Kira or Killer Queen cannot press their thumb against their index finger's middle phalanx to trigger the bomb's detonation, the target cannot blow up. In addition, since this power is similar to incendiary bombs, it also cannot induce their explosions if there is no air, as demonstrated by Stray Cat disabling a bomb by creating a vacuum around it. Finally, Killer Queen can only charge one object at a time.

Killer Queen is a short-range humanoid Stand of average to above-average speed and melee attacking power. Although it is undeniably physically powerful, it is overshadowed by other close-range Stands like Crazy Diamond and Star Platinum, and thus Kira relies more on evading his enemies or using Killer Queen's set of powers to prevail.

Killer Queen's powers revolve around setting up different kinds of bombs that can annihilate Kira's enemies in one blast, making it a very dangerous Stand to face. Not only are the bombs powerful, but Kira is also able to deploy two bombs initially, then eventually three kinds of bombs with different strengths, giving the serial killer a large array of options when dealing with his foes.

Killer Queen's Primary Bomb is to charge any object, inanimate or not, as a bomb simply by touching it.

Once a target has touched the object, Killer Queen can detonate the target by pressing its right thumb onto its index finger's middle phalanx, as if pressing a trigger on a handheld detonator; the charge immediately travels through the target's body before exploding. Additionally, Killer Queen can blow up the charged target itself, as demonstrated with Stray Cat's air bullets during the final battle with Josuke Higashikata; however, if someone else touches the charged target before Kira can detonate it, they will automatically be blown up instead, consuming the charge. This can also be done through direct contact with Killer Queen or Kira himself, skipping the charging process.

Killer Queen is a visibly muscular humanoid Stand about as tall as Kira himself, light in color overall.

Its design is based on a mixture of a cat and a skull, which is seen through its ears, eyes and emblems. Its crown is flat, while two sharp, triangular shapes resembling cat ears stand on both sides of the top of its head. Its eyes comprise cat-like vertical pupils in front of its generally light-colored sclera. It has no nose, and its thin-lipped mouth is perpetually closed.

It wears dark, studded, leather-like forearm-length gloves, mirrored in style by a garter belt-like band at its waist and ankle-height footwear. Its thumbs are additionally bandaged in white. Four short spikes line the top of its back. Its shoulders, the back of its hands, belt buckle, a plate hanging in front of its crotch, both sides of its ankles and the top of its feet all bear the emblem of a skull with ears resembling its own, in varying sizes and external decoration. In the anime, after receiving the third bomb, Killer Queen's eyes adopt a deep glow.

Echoes ACT3 takes on a completely humanoid form but still retains features from its previous Acts, giving it an almost robot-like appearance. Its body is covered in multiple striped protrusions mimicking human muscles and several of them form a crest at the top of the head, which also has two X-shaped holes on its sides. ACT3 now possesses a cloth wrapped around its waist similar to shorts with the number 3 printed on the front and keeps ACT2's boots. Its tail is now vestigial, a single long spike protruding from its behind. ACT3 has been stated to be the image of Koichi made into a Stand.

Echoes ACT1 and ACT2 don't possess a full-fledged personality. They obey their user's commands and sometimes let out a small growl. Koichi develops Echoes ACT3 during his confrontation against Sheer Heart Attack when ACT2 proves too weak to battle the Stand. ACT3 is fully sentient and able to communicate with its user. ACT3 speaks politely when talking to Koichi, following his orders and referring to him as Master. However, it has a tendency to suddenly curse in English, in a manner seemingly inspired by rap music. In the original manga, its speech is often written in katakana to underline a mechanical tone.

Koichi's Stand has the uncommon ability to evolve naturally, acquiring stronger different forms as its user grows as a person. Echoes starts off weak (reflecting its user), but as Koichi's fighting spirit grows, it evolves with him. While it is common for Stands' abilities to grow stronger as their users do, Echoes gains entire new forms with distinct abilities and characteristics, usually during pivotal events Koichi experiences. Each of these distinct forms is referred to as an Act. Koichi can still call upon previous Acts after a new one is unlocked, though is not shown to be able to use multiple at a time, and it likely has to transform first.

Echoes first appears as a large egg whose bottom is covered in swirling spots.

ACT1 takes the appearance of a three-sectioned alien larva. Its oversized first section serves as a head and two small shelled arms are attached to it. The head is covered with a shell on top of which a spike is visible, and the face is nearly entirely covered by metallic blinkers, only leaving a small beak visible. The second section is a shelled torso with a dark belly. The third section is equipped with a set of small wheels and a large serpentine tail with a dark underside and a clearer back covered in swirling spots and at whose end is a metallic rattle.

Echoes ACT2 is a developed form of Echoes ACT1, gained during the battle against Yukako. It takes on a more humanoid appearance but is much smaller than ACT1. It is fully clad in a shell-like armor decorated with metallic striped protrusions at the crotch and other places, the most prominent piece being a large high collar fused with shoulder weights with "S2" written on it's rear covering the back of the head and the shoulders. ACT2's oversized head has a now revealed face with metallic striped eyes, nose and a small robotic mouth. It still has a long organic tail with a dark underside and bright back, now equipped with a detachable kunai-like stinger. Araki stated that it represents a larva growing into a child creature and that its hand and feet are similar to a raccoon's, making it look like a standing raccoon.

Love Deluxe is bound to the hair of its user Yukako. Because it is bound to an object, Yukako takes no damage from her hair being attacked or cut. This also makes it visible to non-Stand users.

After taking significant damage, her hair temporarily turns completely white.

Love Deluxe is bound to Yukako's hair. This allows her to freely manipulate her hair with her mind with considerable strength and dexterity, as well as grow it to extraordinary lengths.

Love Deluxe is precise enough that the hair can tie around something as small as a tongue, but is also powerful enough to immobilize someone. When angered, Yukako can unleash Love Deluxe and make her hair grow so much it can cover and penetrate the walls of an entire house. It has a range of about 10 meters. Should Yukako herself take enough damage or overuse it, her hair will turn white from too much stress and become unable to extend.

Yukako is also able to shoot strands of her hair which she can control freely to attack opponents at range. As she takes little damage when the hair is destroyed, Yukako can then grow these strands of hair to make them reach dangerous hazards, such as fire nearby, igniting people on fire as well but also to throw people around.

Aloof and "insanely tough" (as described by Koichi), Yukako is often cold toward people and maintains a steely, unwelcoming expression, except for in the presence of Koichi, with whom she acts sweetly and warmly in an excessive fashion. She is irritable, blunt and prone to lashing out, particularly when something gets in her way. When angered, her left eye also twitches. Yukako frequently and violently uses her Stand, Love Deluxe, against anyone she feels would hurt her chances of captivating Koichi, resorting to lethal force in the worst case.

She has also been described as the type of person who lives in her own world and tends not to listen to others, expecting things to go her way and for people to follow what she says. Even when something goes wrong, she tends to blame it on others and refuses to find fault with herself. Despite the insecure comments in her introduction, she has immense pride in her appearance and hair, even threatening to murder Koichi once he damaged her hair during their fight, and again threatening Aya after her Cinderella caused her face to fall apart.

She seems to have talent in cooking and sewing, and to some extent engineering as she built an electric chair from household appliances.

Yukako is a teenage girl of fine build, 167[2] cm (5 ft 6 in) tall. She is characterized as especially beautiful, as noted by Aya Tsuji, with fine facial features and bodily proportions. She has full, dark and wavy waist-length hair, a mole above her right breast, and dark eyes. She also has pale skin and prominent, arched eyebrows.

Yukako is often seen wearing a dark sailor fuku with a rose imprinted on its sleeves along with a pair of leather shoes and socks.

Yukako is introduced in the midst of a date with Koichi Hirose, initially acting demure and sweet around him. This visage quickly dissipates when she reveals her bad temper and obsession with him, which occupies the majority of her initial role in Diamond is Unbreakable.

Yukako's most recognizable character trait is her obsessive love for Koichi, which she explains as appreciation for men with potential rather than perfect people, whom she considers boring, and admits outright to becoming obsessive about anything she likes. Her love takes an overtly psychotic turn when she decides to kidnap him and attempt to brainwash him into reciprocating her feelings, as well as forcefully training him into fitting an idealized picture of himself. Upon Koichi's revolt, she goes completely berserk and is willing to hurt, or even kill him in order to keep him for herself. Once she is defeated, and then immediately saved by Koichi in spite of what she put him through, Yukako sees the error of her ways, becoming genuinely infatuated by his heroism, and as such begins to fully respect his privacy and feelings. After beginning a true relationship with Koichi, she appears much more mellow and relaxed.

Initially weak-willed, acquiring a Stand and fighting others made him more confident in himself and assertive, going from being bullied by upperclassmen to facing down and taunting Yoshikage Kira while on the verge of death. By Vento Aureo, Koichi has grown into a confident youth who, while still prone to bouts of panic, could enter a Stand fight without qualms.

The mix of his gentleness and courage make Koichi an extremely likable individual, earning the friendship and respect of the vast majority of the cast including Josuke Higashikata, Tamami Kobayashi, Toshikazu Hazamada, Rohan Kishibe, Yukako Yamagishi, Aya Tsuji, and Jotaro Kujo.

Koichi is a relatively perceptive individual, able to make quick and decisive moves in a fight, sometimes at the cost of being too imprudent. For the most part, Koichi tries to analyze his situation before acting, notably due to how weak his Stand is at the start of the series and the severe limitations of his powers, but sometimes misses a critical consequence of his actions.

After a difficult start in his relationship with Yukako, due to her kidnapping Koichi, he eventually fell in love with Yukako's tough and unforgiving personality. His love was such that he was willing to be blinded forever in case Yukako became ugly, so as to ease her pain.

Koichi is a teenage boy of average build, 157 cm (5'2") tall, though he's typically depicted as a lot shorter. He wears a notably unmodified student uniform, otherwise preferring leisure wear.

Koichi first keeps his light hair neatly combed back. During his confrontation with Tamami, it gains the tendency to rise into spikes when he is excited. Towards the end of his confrontation with Yukako, he suddenly cuts his hair, producing a flat-top, which spontaneously grows out again into spikes during his battle with Yoshikage Kira.

Heaven's Door reveals that Koichi was born prematurely weighing only 2325 grams (5 lbs 2 oz), and was kept in intensive care for 7 days.

One of Koichi's constant traits is his friendliness and overall politeness toward any stranger and acquaintance. Having a gentle heart, Koichi usually doesn't seek to harm his opponents, notably having saved Yukako from death even though she wanted to kill him before, and briefly fighting Giorno Giovanna without the strength to kill, which inadvertently saved him. However, Koichi's friendliness disappears on the rare occasions he is angered, and he becomes more abrasive, violent and vulgar.

Complimenting his childlike appearance, Koichi also possesses a rather cheerful personality. He finds wonder in the littlest and most mundane things (such as his new bike, a famous mangaka living in town, finding an error in a map, etc.), and has little trouble befriending people. Because of this, he is usually easily pressured into an interlocutor's demands, such as Tamami Kobayashi effortlessly extorting him, or Rohan pushing him into spending time with him. Much like any ordinary teenager, Koichi is interested in more accessible distractions. He is a great fan of Rohan Kishibe's manga Pink Dark Boy and plans to visit Disneyland Paris but expresses no interest in "old" countries such as Italy.

Rohan's most depicted outfit is the one he wears during the Rock-Paper-Scissors Kid is Coming! story arc, which consists of a crop-top jacket buttoned with pen heads over a crop-top shirt, and baggy pants. Outside the manga, it's his primary costume in All-Star Battle and Eyes of Heaven. In his first appearance, Rohan adorns a baggy suit and pants, over which he wears a semi-unbuttoned vest.

During the Rohan Kishibe's Adventure arc, Rohan wears a dress shirt and tie, with the first kanji of his name, "Ro" (露), and the tip of a pen stitched onto the shirt. He also has baggy pants. During the I'm an Alien story arc, Rohan has a cold shoulder turtleneck crop-top, serrated with cuts all over and wrist-bands. He wears suspenders attached to baggy pants, along with Versace inspired boxers that are visible.

Rohan Kishibe is above all defined by his dedication to his work. With great draftmanship talents, Rohan has constantly sought to make the best manga possible in order to keep being read. His wish to be read is so great it trumps any other motivation, disdaining money or glory and feeling no need for kinship either. When drawing, Rohan falls into an artistic trance, drawing with abandon and being distracted with great difficulty. Because of his tremendous drawing skill, the one thing Rohan seeks the most is inspiration to fuel his work as everything else is an effortless formality.  

To gain inspiration, Rohan is constantly seeking new experiences or facts, investigating anything he might find interesting with blatant disregard for common sense, politeness or the law, for instance buying a whole mountain range to preserve the living area of a supposed yokai and constantly prying into people's lives by turning them into books with his Heaven's Door. Moreover, Rohan is overly curious, willingly throwing himself into strange adventures such as an unusual house sale or a poaching session.

Josuke is hyper-sensitive about his unique hairstyle, reacting violently to anyone who mocks it. Koichi believes this idiosyncrasy is due to Josuke treating it as an insult to his childhood savior that he modeled his style upon. Josuke automatically enters a blind rage, regardless of the circumstances, and doesn't hesitate to attack people he may have deferred to moments earlier, such as an upperclassman who was bullying him. This "blind rage" is also literal; when Rohan Kishibe openly mocks Josuke's hair in an attempt to manipulate him into looking at his manuscript, Josuke is so enraged that he cannot see it right in front of him and beats Rohan so severely that he is sent to the hospital and forced to put his manga on hiatus for two months.

Josuke's empathy is manifested in his Stand, which can heal people and repair objects to a previous state. Already using his Stand to heal people and fix broken bones as a young child, Josuke doesn't like to see people in pain. Because he was always able to "fix" people, he has difficulty accepting death as a permanent state that his Stand cannot change. For example, when he finds his grandfather dead, Josuke heals the wounds on his corpse and insists he is going to wake up fine, unable to accept his death as a reality until Jotaro gently tells him that no Stand can bring the dead back to life. This has a profound effect on Josuke, who begins to see life as something even more worthy of protecting. Josuke will also go to great lengths to heal acquaintances or even enemies; during the Nijimura Brothers arc, he risks his life and sustains injuries to heal a severely wounded Okuyasu, even though he tried to kill Josuke moments earlier. His reasoning was "I just don't want anyone to die."

Overall, Josuke behaves like a teenager and, aside from his general goal of protecting Morioh from any Stand menace, is concerned with more down-to-earth matters, such as hanging out with his friends. As a result, Josuke is rarely seen alone in the streets of Morioh. Josuke passively protects his town and only acts when directly asked by the much more proactive Jotaro or when he directly encounters a Stand user. Curious, Josuke is quick to investigate any unusual phenomenon, which often leads him to a Stand user.

Sufficiently humble, Josuke confesses to being nervous around famous people, opting not to go with Koichi to first meet Rohan Kishibe due to his great fame as a mangaka. Josuke also has a fear of turtles and has tried to touch a turtle to get rid of that fear. Josuke isn't shy to admit his limits and has confessed that he doesn't know much about manga, or isn't good at video games, even though he isn't happy to have someone know these factoids.

Josuke is a tall, young man of average build. His most prominent feature is his well-maintained pompadour with two small, curved spikes in the back, styled after that of an unknown man who saved his life as a child. His pompadour has a tendency to become spiky with his mood, such as when he is irritated or angry.

Josuke wears a dark, modified Japanese school uniform. His jacket conforms to his body, extending to the middle of his thigh, accompanied by a pair of wide-legged pants. He keeps his jacket unbuttoned and pinned aside, revealing a light undershirt with a short zipper on each side of his chest. He also wears a small stud in each ear.

Josuke wears a number of metallic/golden emblems. On the left side of his collar, he wears a modified anchor and on his right, a row of two small hearts. Pinning his open jacket to his chest on his right is a peace sign (☮), and on the left is a heart (occasionally enclosing a palm, like on Jotaro's hat). He wears a gold band at both wrists over his sleeves (under more elaborate pieces in several illustrations).

A man with expensive taste, Josuke wears Mr. Junko original socks, ¥25,000 black Bally shoes, and Moschino brand underwear.

Okuyasu is a young man of above-average height and medium to athletic build.

Two fine lines cross his face in semicircles passing the inner corners of his eyes. He sports a small, dark pompadour with the sides lighter in color and two spiked rattails in the back. In his initial appearance, his hair's temporal points have pin-like objects in them and the back has notably more spikes.

He wears a dark, modified Japanese school uniform, featuring a double-breasted jacket, which he decorates with metallic, golden emblems, including a yen (¥) sign on the right of his collar and a dollar ($) sign on his left (more accurately, a cifrão; with two vertical lines). He also has a larger dollar sign on the middle of his chest. His right shoulder has "億" ("Oku", the kanji for 100,000,000) printed in large, light letters between his shoulder and elbow, mirroring the word "BILLION" on his left. In the animated adaptation, his jacket has white piping.

He wears two slim, sagging belts at the top of wide-legged pants

The word that describes Okuyasu the best could be "childish", as he possesses several traits hinting to a certain immaturity. Okuyasu is a very extroverted and impulsive man, acting by his own words "with his heart". He consistently shows his emotions, which are more extreme than for the average individual, being ecstatic when he is happy, in tears when he is sad, and enraged when angry. Okuyasu frequently acts out of impulses and rarely takes the time to observe or reflect in a fruitful manner.

Okuyasu has been known to be "not good at making decisions" and being generally dimwitted, although he has moments of genuine ingenuity. Constant reliance on his big brother Keicho Nijimura and belittling from him made Okuyasu unable to make decisions that do not come out of instinct and is self-conscious about this limitation. This results in him repeatedly and openly stating his lack of intelligence. His inability to think was exploited on three occasions.

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Jotaro's outfit undergoes a massive change from Stardust Crusaders, in addition to the outfit itself undergoing several transitions during Diamond is Unbreakable. Each features his trademark combination of a visored cap and a trench coat. He wears wide-legged pants, and his hat, coat, and pants are typically depicted as white.

In his first outfit, he wears a trench coat with a folded-back collar and cuffs that feature the same tessellated pattern as his belts. Underneath the coat is a jumper of sorts over a stiff, high-collared shirt; a buckled strap also runs diagonally across his chest. His hat has a metallic "J" emblem added to his earlier palm, now enclosed by a heart.

Jotaro becomes the leader and mentor of Josuke Higashikata and his allies, as well as a person they could rally behind. Koichi and Josuke comment that his company is calming to them, concerning the consistent threat exerted by emerging Stand users. Having matured, Jotaro is not as foul-mouthed as he used to be, although he is still blunt and retains his annoyance towards girls making a fuss. Despite that, he is still merciless to those who anger him and is said to be scary by Koichi due to how quiet he is.

Although his aloofness is still present, it has diminished somewhat over the years; meeting Tomoko Higashikata whilst looking for Josuke shortly after her father is killed by Anjuro, he tolerates her sudden clinginess when she mistakes him for Joseph, and offers some consolation for her father's death. He also admits to Koichi that he is glad that they met, albeit he says it privately while time is stopped.

When Kosaku Kawajiri is killed, Kira assumes his facial features, including his spiky black hair, thin, large dark irises, and higher cheekbones. He retains his suit, changing only his tie to his normal Skull tie.

Kira is a serial killer, characterized as highly egocentric and psychopathic, with a few obsessive-compulsive tendencies. He dislikes any changes in his daily physical condition or routine. He takes the same route every day, puts on his clothes in the same order, and eats at the same time and in the same sequence. He is also a hand fetishist.

Kira longs for a peaceful and quiet life, safe from any worry, and does not wish for it to be interrupted. Whenever that life seems assured, Kira adopts a jolly and confident demeanor. Although he is highly intelligent and possesses many talents, this yearning shows in his dislike of coming in first, and Jotaro theorizes from his many trophies that he even made it a point to never rank better than 3rd in any competition so as not to stand out.

Located in the suburbs of Morioh, the Kawajiri residence is a two-story home. While not being visibly in disrepair, Shinobu Kawajiri considers the home to be cheap and in poor condition. The monthly rent of the home is ¥130,000, and according to the landlord, pets are forbidden as per the lease. At some point, Hayato Kawajiri secretly installed surveillance cameras which he uses to spy on his parents. When threatened by Kira after witnessing and filming the murders of Minako Okura and Satoru Nakae, Hayato claims the tapes from those cameras aren't kept in the Kawajiri residence, but somewhere where they would definitely be found should something happen to him.

The home's rooms include a foyer, a living room, a kitchen, at least 2 bedrooms, a bathroom, a basement, and an attic. The backyard, which is also accessible, features a variety of flora including several flowering shrubs and cacti.

Hayato is a young boy, he is short with a rather thin build, and has straight reddish-brown hair that reaches just past the height of his chin.

Hayato is a quiet, introverted, Japanese boy who spends most of his time in his bedroom. He rarely speaks to his parents, preferring to spy on them with electronic devices he has planted in his room. According to his mother , he has no close friends.

However, when cornered, Hayato proves to be exceptionally brave.

Despite having a somewhat strained relationship with his mother, he loves her deep down.

Hayato has also proven to be exceptionally intelligent.