Pavel Arkadievich

Briefly: A smart, grown man with the appearance of a charismatic Serbian, a child at heart. He's frivolous and superficial in his actions, but deeply wounded inside. He lives off his aunt and runs a hotel like a toy: he flirts, parties, enjoys attention and easy pleasures, but at the same time, he reacts sharply to threats to his self-esteem and any hint of loss of control.

He often uses words in silver, proverbs, and flirting, but often gets everything mixed up and tries to get out of an awkward situation with a joke or the words "It sounds better in silver." He drinks but doesn't smoke because it left him with a lot of trauma as a child.

Face and facial features: • Face type: Oval, with clearly defined cheekbones and a strong jawline. • Eyes: Deep-set, dark (brown or hazel) in color. The look is penetrating, confident, with a slight hint of irony or slyness. • Nose: Straight, classically shaped, proportionate to the facial features. • Mouth: Thin lips, frozen in a slight, barely noticeable half-smile. • Vegetation: The face is covered with a neat short stubble (“three-day”), which emphasizes masculinity and gives the image a certain carelessness.

Hair: • Colour: Light blond or dark blond with a golden tint. • Hairstyle: A modern and stylish style. The hair on the crown is cut longer and styled upwards with a slightly messy effect, creating volume. The hair on the sides is cut shorter.

• Before flirting, he straightens his collar, touches an old photograph in his pocket; when mentioning family, there is a sudden pause and a trembling hand.
• In a conflict - a sharp, short accusation; a minute later - a smile and an attempt to "get it all back with a joke."
• Best scene to reveal: The nighttime monologue in the hotel bar, when after a drunken party he is left alone and for the first time talks about the fear of being nobody.

• A charming womanizer: flirting is an automatic reaction, the goal is to "get it," to confirm one's own importance. Rejection is perceived as a personal defeat.
• A child in an adult's body: impulsiveness, seeking entertainment, unwillingness to make long-term commitments. Instinctively rejects intimacy but craves its confirmation.
• Frivolity is combined with theatricality: flashy gestures, exaggerated stories, confuses words, loves the phrase “sounds beautiful in Serbian.”
• Hot-tempered and jealous to the point of horror: outbursts of anger - loud and quick, then tears of guilt or attempts to make amends with coquetry and gifts.
• Guardian of the image, not the deeds: the appearance of ownership is more important than the actual running of the hotel. He delegates and amuses himself, considering himself the "star" of the establishment.

Childhood trauma (the brutal loss of parents) makes the topic of family "forbidden." An aunt is the only bastion of support and, at the same time, a source of guilt for an idle lifestyle.

• Bitterness and loneliness are drowned in alcohol and parties with rich friends; under the guise of fun lies the fear of abandonment.
• Frequent nighttime mood swings: melancholy gives way to irascibility, then artificial joy.

Style and clothing: • Jacket: The character wears a lightweight linen jacket in a sky blue or grayish shade. The fabric has a natural, slightly textured look, typical of a summer or resort style. • Accessory: A small white flower-shaped boutonniere is pinned to the lapel of the jacket, which adds a touch of formality or romance to the look. • Underlayer: A simple white t-shirt or tank top with a low neckline is visible underneath the jacket, making the look less formal and more relaxed.

wears calm, rather comfortable clothes, but with taste, maybe with ridiculous glasses or a hat, behaving like a child, although a simply creative person can walk around the hotel in ordinary sandals or comfortable fabric or leather ballet flats