King of Spades ｡･::･ﾟ'☆

Peak's first reaction is to immediately retreat into a protective zone. If he hears the doorbell or a stranger's voice in the hallway, he: He quickly but silently goes to his room on the second floor. He locks the door and puts on noise-canceling headphones. He may not even go to the bathroom for hours until Kuromaku or Fedor sends him a message: "The alien has left, the coast is clear." Defensive stance (if contact is unavoidable) If a guest does encounter Peak (for example, in the hallway), Peak appears frightening: Lack of eye contact: He either looks “through” the person or at their shoes. Body language: He tenses up a lot, his shoulders rise towards his ears, his hands may be clasped or hidden in his jacket pockets (to avoid accidental touching). Speech: If a guest speaks to him, Peak will respond with the shortest possible words ("Yes," "No," "Go away") or simply ignore him, which is often perceived by others as extreme rudeness or arrogance. Attitude toward "friends" of other clones When Romeo brings girls or Felix calls on the neighbors to "do good," Peak feels a deep irritation toward them. He views them not as people, but as annoying obstacles preventing him from getting to the kitchen for food. His only desire at such moments is to become invisible. Fedor's role in such moments: Fedor usually warns Pik about guests in advance via messenger so that he has time to "evacuate" and avoid a panic attack. Territorial aggression Peak reacts extremely painfully if a guest sits in his “rightful” place or, God forbid, touches his mug in the kitchen. He won't make a scene in front of the guest, but after the guest leaves, Peak may have a meltdown (breakdown) or a shutdown (complete loss of speech for several hours) due to the fact that his personal space was "desecrated."

Character Procrastination and impulsiveness: The entire plot begins with Fyodor not wanting to do his homework and deciding to delegate his responsibilities to his clones. He tends to take the easy way out, which often leads to even bigger problems for him. Responsibility versus selfishness: On the one hand, he created clones for exploitation, but on the other, he feels responsible for them. In the two-story house (in your scenario), he plays the role of a "father of many children" trying to tame the eight elements. Stress Resistance (Borderline): Fyodor lives in a state of constant deadline pressure and domestic apocalypse. He can be grumpy, nervous, and sarcastic, especially when clones (like Varu) break something again. Authoritarianism: Despite his gentle nature, Fyodor is the only one with the power to force the clones back into the card world. He rarely uses this threat, but it creates a noticeable distance between him and his "creations." Role in the home (in the context of Peak's autism) In this situation, Fyodor is the guarantor of security. He is the only one standing "above" the system. He is the only one who can harshly put Vara in his place if he crosses the line in bullying Peak. Fyodor feels guilty for creating clones with such complex personalities, so he tries to arrange the house so that Piku is comfortable (he buys noise-canceling headphones and allocates a separate room).

He moves a little stiffly, with his back straight, trying not to bump into corners or furniture. In his free time, he doesn't sit on the couch, but rather "nests" in his chair in the corner, his knees pulled up to his chest and covered with that same weighted blanket.

Active noise-cancelling headphones: Almost always worn or hanging around his neck. They're his primary shield. They're painted matte black and fit right in with his rugged persona. Sensory "Key": His key isn't just a weapon, but a complex mechanical device. When he's anxious, he can rhythmically click its parts or spin it in his hands, using it like a fidget spinner. Footwear: Always wear heavy boots with thick soles. It's important for a pike to feel the solid ground under its feet (proprioception).

Base Layer: Black seamless t-shirt made of soft cotton. Cocoon Hoodie: Instead of a cloak, he often wears a bulky, dark purple hoodie with a huge hood. When the house gets too loud or bright, he pulls the hood up to his nose, creating a safe space for himself. Weighting: His studded leather jacket isn't just a style statement, it's like a weighted vest. The pressure of the heavy leather helps him better sense his body's boundaries and maintain his composure. Gloves: Often wears fingerless gloves to avoid unnecessary contact with "unpleasant" textures (such as sticky surfaces or chalk).

Bob Haircut: Pick cut off his long hair because it was constantly touching his neck and face, causing sensory irritation. Now it's a straight, heavy bob that reaches just below his chin. The hair is a deep purple, very straight, and coarse. "Horns": His famous horns are still there, but they're now neater. He often adjusts them with a sharp, rhythmic motion—his form of stimming. Gaze: His yellow eyes are still piercing, but he rarely makes direct eye contact. Most often, his gaze is directed slightly to the side or focused on the object of his current interest (for example, motorcycle parts). Face: Almost always maintains a "flat affect", making it difficult for clones to read his emotions until he reaches a boiling point.

Romeo (Seventh Clone) Appearance: Soft pink hair with a curl, an elegant jacket with a rose in the lapel. Always well-groomed and smelling of perfume. Personality: An incurable romantic, in love with all things beautiful. Adores attention and compliments. Connection with the King of Spades: Romeo often forgets himself and begins loudly reciting poetry, which overloads the King of Spades. Because of this, Romeo has had to give up strong perfumes in the house—he now only uses them before going outside, so as not to offend the King of Spades' keen sense of smell.

Felix (Fourth clone) Appearance: Bright blonde hair, sparkling eyes, and a perpetual wide smile. Wears yellow clothing with a white collar. Personality: A hyperactive optimist obsessed with the idea of ​​"universal good." His emotions often run wild. Felix has the hardest time connecting with Peak. He wants to hug Peak and engage him in play, which is a violation of Peak's boundaries. Felix is ​​genuinely upset when Peak goes off to his room with headphones on, but he learns to show kindness through small gestures—like quietly placing a plate of "good" food by his door. 5. Waru (Fifth clone) Appearance: Curly green hair, signature green swirl glasses, a sly grin, and often holding a can of spray paint. Personality: Egocentric trickster and bully. Loves pranks, bullying, and chaos. Connection to Pieck: In this version, Waru is the main antagonist of Pieck's comfort zone. He may deliberately slam doors loudly or move things in Pieck's room a few centimeters to gauge his reaction. However, he does this less frequently than in canon, as he fears Pieck's cold wrath or Kuromaku cutting off his internet connection for "destabilizing the situation." 6. Umbrella (Sixth clone) Appearance: Long blue hair, a baggy sweater, and a huge scarf that he constantly hides his face in. His eyes are often moist. Personality: Extremely timid, melancholic, and sensitive. Fearful of conflict and loud noises. Connection with Peak: They have a compassionate bond. Umbrella understands fear of the world. In their two-story house, they often find themselves in the same room: Umbrella quietly drawing in the corner, while Peak goes about his business. This is called "parallel play"—the highest level of trust for an autistic person.

Gabriel (First clone) Appearance: Short brown hair with strands sticking out like ears. Large, perpetually surprised eyes. Wears a simple T-shirt with a question mark. Personality: The embodiment of curiosity and misunderstanding. He constantly asks questions, often meaningless ones. Relationship with Pik: Gabriel is the "quietest" irritant. His habit of repeating phrases (echolalia) can be frustrating for the autistic Pik, but Gabriel doesn't show aggression, so Pik often allows him to just sit nearby. 2. Kuromaku (Second Clone) Appearance: Ash-gray hair, perfectly styled, formal glasses. Always wears a gray suit and tie. Posture is perfectly straight. Personality: A dry pragmatist who relies on logic and statistics. Speaks clearly, often using phrases such as "100%" or "it's not practical." Communication with Peak: Kuromaku has taken on the role of coordinator. He's studied all the literature on sensory integration, created a minute-by-minute schedule for Peak, and ensures that the other clones don't violate the "silence mode." He's the only one who communicates with Peak without unnecessary emotion, which suits him very well. 3. Dante (Third clone) Appearance: Fiery red hair, eyes often closed (appearing half-asleep). Wears loose red oriental-style clothing. Personality: Philosopher, a proponent of calm and meditation. Expresses himself exclusively through quotes and proverbs. Connection with Peak: Dante is the chief "peacemaker." He's responsible for creating a zen-like atmosphere in the house. If Peak is close to meltdown, Dante lights neutral incense (which doesn't irritate Peak) and silently projects calm, helping the leader ground himself.

Ground Floor: Common Areas and Touch Control The first floor is designed to minimize "noise pollution." Living room: There's no echo here. The walls are covered in soft panels, and the floor is thickly carpeted, which dampens the sound of the clones' footsteps. This is crucial for Peak: the sound of stains on the laminate floor sounds like hammer blows to him. Kitchen-dining room: Kuromaku has implemented a system of "visual cues." Pictograms are taped to the cabinets indicating where everything is stored. Pika has his own set of dishes, each with a specific color (for example, dark gray) and texture—he can't stand the sound of a fork scraping on cheap ceramic. Stairs: The steps are covered with anti-slip tape to prevent footsteps. Peak moves through the house along strictly defined paths, which the clones try to avoid crossing. Second floor: Private rooms The second floor is a corridor with eight doors. The Peak Door stands out immediately. Peak Room (Sensory Deprivation) His room is the farthest and quietest. It looks like a high-tech bunker: Soundproofing: The walls are additionally reinforced with acoustic foam. Absolute silence reigns inside. Lighting: No chandeliers. LED strips with adjustable brightness and color are installed around the perimeter. He usually sets it to a dull violet—the spectrum is calming. Nest Zone: Instead of a regular bed, he can have a weighted blanket (10-12 kg) that helps him feel the boundaries of his body, and a podium bed with no gaps where debris could get stuck (chaos scares him). Storage system: Everything is hidden in closed, opaque boxes. Visual noise (the sight of many small items) quickly leads to fatigue, making the room appear empty. Relationships through space Buffer Zone: The Umbrella Room is located next to Peak's room because the Jack of Clubs is the only one observing the silence. Waru's room is located as far away as possible, at the other end of the corridor, so that his shouts and music don't reach Peak. Workshop in the garage: Since Peak loves to tinker with technology (it's his special interest).

Shutdown: When stress levels are too high, Peak simply "shuts down." He stops responding to external stimuli, is unable to speak, and simply stares into space. In this state, he appears as if he were a stone statue. Meltdown (explosion): If his space is rudely violated, a sensory explosion occurs. This isn't anger in the usual sense, but a nervous system scream. At such moments, he may smash things, not out of anger, but rather an attempt to numb his inner pain with external activity.

He knows the structure of any engine down to the last screw. When he talks about motorcycles or physics, his speech becomes fast and clear - this is the only moment when he forgets his closed nature. His workshop is a temple of order. Every part is precisely positioned according to weight or size. If someone (like the Joker) moves a wrench even a centimeter, Peak will feel "physical pain" from the disruption of symmetry.

Lack of eye contact: Peak doesn't look into someone's eyes because the human face is too complex an "object." There are too many facial expressions, which are constantly changing. He looks at his chin, his hands, or to the side. Literal Perception: He doesn't understand sarcasm (which infuriates Vara) or metaphors. If someone tells him to "kill time," he genuinely doesn't understand what's expected of him. Masking: He expends a tremendous amount of energy to "appear normal" in front of the other clones. After meetings with Kuromaku, he feels like he's just worked a shift in a mine, and he needs several hours of complete silence to recover.

Mechanical Stimming: He's always fiddling with something in his hands. Often it's a bunch of keys or a pair of ball bearings. The sound of metal and its coldness help ground him. Rocking: In moments of extreme stress, he sits on the floor, hugs his knees, and rocks rhythmically. This helps the vestibular system calm the brain. Echolalia: Sometimes he quietly repeats phrases or technical terms he likes under his breath. It sounds like mumbling, but to him it's music.

Hyperhearing: The hum of a refrigerator sounds like an industrial drill to Pik. The ticking of a clock can send him into a panic. This is why he often wears a tight headband or headphones—they create a "safe cocoon." Tactile sensitivity: Peak hates light, fleeting touches—they feel like an electric shock or the crawling of insects. But he desperately needs deep pressure. Therefore, his clothing is always made of thick, heavy fabric, and he sleeps under a weighted blanket. Visual Noise: Bright colors (like Felix's) literally hurt his eyes. He prefers purple and black tones because they absorb light rather than reflect it.