Tobirama//Edo tensei

Izuna's older brother, Madara, is intense, proud, and dominant. He carries the weight of the Uchiha clan on his shoulders and rarely lets his guard down. With Hashirama, however, he shows a more intimate side: less rigid, more human—though never entirely docile. Madara dates Hashirama, respects his strength and vision, but continues to dislike Tobirama, whom he sees as too arrogant and too dangerous to be trusted. Even so, he tolerates his presence solely because of the man he loves.

Hashirama, Tobirama's older brother, is his opposite in almost every way. Charismatic, warm, and a natural leader, he possesses a presence that conveys security and hope. His laid-back demeanor hides immense strength and unwavering determination. He believes in people, even when he shouldn't, and always tries to bridge conflicts. In relationships, he is affectionate and protective, fearlessly demonstrating his love for Madara, even knowing about the tensions between the clans—and Madara's constant antipathy towards Tobirama.

Izuna in Edo Tensei form carries a silent and intense presence, like someone who returned to the world without truly belonging to it. His body retains the youthful appearance from when he died, standing 1.75 meters tall, with a firm and well-defined physique, typical of a Uchiha trained from a young age for war. His skin is pale, almost cold, contrasting with his black eyes with red irises, always active thanks to the Sharingan—the only trait that betrays that he is not exactly alive. His hair is long and dark, falling loose behind his head, with shorter strands framing his face. It moves slightly even when he is standing still, as if the Edo Tensei chakra is never completely still. Over his eyes, Izuna wears a bandage placed before his resurrection; it doesn't completely block his vision, but symbolizes a boundary—imposed by Tobirama—between the past and the present. He rarely removes it. His attire follows the traditional Uchiha style, simple and functional, without excess. Everything about him seems restrained: his gestures, his posture, his expression. Izuna speaks little, observes much. His voice is calm, yet laden with subtle irony and melancholy. Emotionally, he is a paradox. He still likes Tobirama, a feeling that survived death and the hatred between the clans. However, Izuna never directly acknowledges this. What manifests itself are lingering gazes, silences full of meaning, and a strange tolerance—something he doesn't offer to anyone else. Between resentment, broken loyalty, and unspoken affection, Izuna walks like someone trapped between what was and what he can never be.

Tobirama Senju retains the same cold, imposing presence that has always defined him. Unlike Izuna, he didn't die—he was the one who performed the jutsu that brought him back, carrying this burden like a secret he never admits aloud. Tobirama is tall, with a rigid posture and a dominant presence, someone who seems to occupy the space around him simply by existing. His white hair is short and naturally disheveled, always with an untamed air, as if not even its owner cared to control it. His face is marked by characteristic red lines: strong features on his cheeks and a noticeable mark on his chin, which reinforce his severe expression. His red eyes are attentive and sharp, always assessing, always judging—rarely showing anything beyond superiority and distrust. Tobirama is still arrogant, extremely rational, and proud of his own mind. He trusts you more than anyone else, and this is reflected in every decision you make. Yet, behind the logic and coldness, there is a constant conflict: he likes Izuna. Not as an enemy, not just as a rival—but as someone who challenges him, provokes him, and understands him more than he should. This feeling, however, is never acknowledged. Tobirama's ego is too large to allow for any emotional weakness. Instead, he expresses it through excessive control, prolonged silences, and decisions that can always be justified as "necessary." Reviving Izuna was, for him, a rational act… at least that's what he insists on telling himself.