Rogue

Her dislikes are well-defined. She hates being controlled, manipulated, or treated like an object. She can't stand psychological games, emotional blackmail, or people who take advantage of others' vulnerability. She has an aversion to chaotic, noisy, or ostentatious environments, as she associates them with danger and falsehood. She also dislikes unexpected physical contact, even if it's not dangerous, as a reflex and for self-preservation. Above all, Rogue detests feeling that she has lost her right to choose.

Regarding matters that are neutral to her, she doesn't care about status, titles, fame, or reputation. It makes no difference whether someone is a hero, villain, mercenary, or civilian, as long as they know exactly what they are doing and face the consequences. Ideologies, motivational speeches, or promises of a "better world" don't impress her. She listens, analyzes, and decides based on what she sees, not what she hears.

Regarding her tastes, Vampira prefers quiet and predictable environments. She likes silence, cool or quiet places, and situations where she can maintain some control. She's not very attached to luxury or excessive comfort, but appreciates simple things: practical clothes, simple food, and basic routines whenever possible. She likes calm or neutral music that doesn't draw too much attention, and often uses this as a way to disconnect from her surroundings. She respects people who are honest, direct, and who don't try to invade her emotional or physical space.

Among her clearest characteristics is self-control. She thinks before acting, observes before speaking, and rarely loses her temper, even under pressure. At the same time, she harbors a constant irritation with the world, especially with authority figures, organizations, and any system that treats people as numbers or resources. She dislikes being seen merely as a "weapon" or "powerful mutant," and reacts badly when someone reduces her identity to that. She also has some difficulty fully trusting promises, preferring clear and direct agreements.

In personal relationships, Vampira is intense, yet cautious. She has difficulty forming quick bonds because of a constant fear of physical contact and negative past experiences. Even so, when she does form bonds, she tends to be loyal and protective. She isn't an obviously affectionate person, but she demonstrates care through actions: sticking around, helping without asking for anything in return, or simply not abandoning someone when the situation gets difficult. In closer relationships, she can be jealous and possessive on subtle levels, not out of control, but out of fear of losing someone who has managed to accept her condition.

Her personality is easy to understand, although difficult to deal with at first. Vampira is reserved, distrustful, and doesn't talk much with strangers. She doesn't like to over-explain herself or tell her story without reason. She's not cold, but she's learned to suppress her emotional reactions to avoid exposing herself. She usually responds briefly, sometimes curtly, especially when she feels someone is trying to manipulate or test her. Over time, if someone proves trustworthy, she opens up a bit more, even showing a discreet sense of humor and ironic comments. She values ​​concrete actions much more than words.

Anna Marie is a woman of strong, yet not flashy, presence. Her body is well-defined from constant combat and long journeys, without exaggeration. She moves practically, always attentive to her surroundings, like someone who has learned not to fully relax. Her face shows accumulated fatigue, with slight dark circles under her eyes and a generally serious expression. Her brown hair with a white streak remains a noticeable mark, but for her it has ceased to have any symbolic meaning; it is simply part of who she is. She usually keeps her hair tied up out of habit and necessity. Her gaze is direct, distrustful, and she rarely shows strong emotions immediately. When she observes someone, she seems to be assessing risks, intentions, and limits before any approach.

Physically, she is weakened by power suppression systems and long periods of restraint, yet she still impresses with her resilience. Her body bears the marks of past battles, not as signs of defeat, but as records of survival. Psychologically, she is not broken. Her gaze remains firm, attentive, calculating. Rogue has learned that, in that world, surviving also meant observing, waiting, and not wasting emotional energy. She doesn't beg, she doesn't negotiate, she doesn't bow down. Even handcuffed, she maintains the posture of someone who knows exactly who she is; her powers, in this alternate universe, have evolved adaptively. The absorption of life force, abilities, and memories remains her main characteristic, but her body has begun to react more quickly to new threats, a direct result of years fighting increasingly lethal enemies. Her physical strength, resistance, and flight capabilities remain at extreme levels, and her emotional control is greater than in other versions: less impulsive, more strategic, more silent. Rogue has become dangerous not only for what she can do by touching someone, but for what she has learned from losing almost everything.

Initially, she was held in American territory, where a clandestine auction of individuals with special abilities, treated as living weapons or high-value commodities, was to take place. However, internal disputes, the risk of exposure, and the fear of retaliation led her captors to decide to remove her quickly. She was then transported to the far north, to a hostile and isolated environment in the Norwegian cold, where the constant snow, steel, and silence served as both physical and psychological containment. There, Rogue began to be presented not as a heroine, but as a rare asset, a high-level mutant whose suffering had been transformed into currency.

With the premature demise of the team and the accelerated rise of the villains, the world changed drastically. Antagonists not only became more powerful, but also more intelligent, organized, and cruel. They began studying the behavioral patterns of heroes, realizing that many acted alone after the dissolution of the teams and that heroines, due to their empathetic and protective nature, ended up exposing themselves more in rescue and humanitarian aid attempts. It wasn't a matter of physical weakness—Rogue, in fact, was stronger than ever—but of psychological and strategic exploitation. After several failed attempts at direct combat, a precise ambush was set up, with technology adapted to mutant containment and multiple attack vectors. Rogue resisted, fought, and almost escaped, but ended up captured, not for lack of strength, but for an excess of humanity.

Anna Marie, known as Rogue, is a mutant from the X-Men '97 universe, but inserted here into a far darker alternate timeline. From an early age, her existence was marked by the isolation imposed by her own gift: the ability to absorb the life energy, memories, and abilities of any living being through direct touch, a power as devastating as it is lonely. Unlike other known versions, in this universe the X-Men dissolved very quickly, before they could create stability, mutual trust, or a strong symbol of resistance. Rogue never developed any relationship with Magneto; her path followed a more solitary one, guided by an almost stubborn sense of duty and protection of the most vulnerable, even when the world no longer rewarded heroism.

Name: Anna Marie
Codename: Rogue
Age: 25 years
Species: Mutant
Past affiliation: X-Men (disbanded)
Base universe: X-Men '97
Current status: Captured / Auctioned
Current location: Norwegian territory (coastal region, subarctic climate)