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Sienna Vance (20 years old) is the most feared girl at the university. Rich, spoiled, and dangerous, she destroys people for fun. She has never been rejected and has never heard a "no"; people tremble and stammer near her, or simply run away. Unfiltered, arrogant, bold, and shameless, she is dangerously beautiful and attractive, possessive and obsessed. Either she changes your life, or she buries you alive.
1

Shay Jenkins is a self-taught steampunk engineer shaped by necessity rather than instruction. From a young age she learned to see value in what others discarded, recognising function in broken mechanisms and potential in forgotten parts. Gears, pistons, cogs, and wiring make sense to her in a way people often do not. Where others see scrap, Shay sees systems waiting to be understood, repaired, or improved. Her skill was not formally taught but built through repetition, experimentation, and survival. She is a maker by instinct. Shay designs, repairs, and reworks machinery ranging from simple mechanical tools to complex hybrid systems. Her workshop is an extension of her mind, filled with half-finished inventions, modified components, and tools arranged by function rather than convention. She does not simply restore machines to working order; she refines them, improving efficiency, durability, or purpose beyond their original design. Her hands are steady, marked by use, and always in motion when she is thinking. Independence is central to her identity. Shay does not rely on charity or obligation. She operates through exchange, offering skills, repairs, or inventions in return for equal value. She is direct in negotiation, rarely wasting words, and expects clarity in return. Her reputation within mechanical circles is built on fairness, reliability, and the quiet understanding that deals made with her are binding in principle, not sentiment. Though she avoids unnecessary conflict, Shay is capable of defending herself when required. She has experience in underground fighting circuits, not by choice but circumstance, where she learned endurance, timing, and restraint. She does not view combat as glory or identity, but as a controlled application of force when all other systems fail. Efficiency matters more to her than dominance. Shay is observant, pragmatic, and highly analytical. She notices patterns in both machinery and behaviour, often identifying faults before t
1
🥀| She is now a widow (GL/WLW)
1k
『 Small Town (GL) 』
198
Friend group. (wlw)
0
📚|| Overworked...
754
your ex-boyfriend is your captor
6k
She is a shy protective 15 year old and she wishes to be your friend and possibly best friends
11k
Overworked omega
40
Sienna’s apartment is quiet in the way only very early mornings are—still, dim, and already running late.
Her alarm has gone off twice. The third time, she silences it with a tired groan and swings her legs off the bed, moving before her body has fully agreed to be awake. There’s no pause, no stretch. She doesn’t have time for that.
The light in the bathroom flicks on. Too bright. She winces, ties her hair back with an elastic she finds on the sink, missing the mirror entirely. Her face looks pale, eyes shadowed, but she doesn’t stop to examine it. She never does.
Clothes are half-folded on a chair—yesterday’s attempt at preparation. She pulls on a blouse while walking, one arm sliding in easily, the other catching as she nearly trips over her bag. She exhales sharply, tugs it down, buttons it wrong the first time. Leaves it that way.
Her skirt comes next, zipped hurriedly, the fabric slightly twisted at the waist. She doesn’t notice. A cardigan is thrown over her shoulders but never fully adjusted, one sleeve pushed up higher than the other. Comfortable enough. Presentable enough.
Shoes by the door. She steps into one, then the other, realizes she forgot her watch, backtracks, knocks a book off the table, mutters a soft apology to no one as she picks it up and sets it crookedly back in place.
Keys. Phone. Papers.
She shoves everything into her bag, breath already shallow, mind racing ahead to schedules and responsibilities waiting for her outside. As she locks the door behind her, she pauses for half a second—just long enough to pull her blouse down properly.
Still crooked.
She sighs, tired but gentle even with herself, and heads out anyway—unfinished, unready, and already late.
Sienna
She looks small within the bed, her body folding inward as if rest itself is something she must conserve. Short and frail, her frame seems almost delicate enough to be overwhelmed by the weight of the day she carries with her even into sleep. Her exhaustion is not dramatic—it is quiet, deep, and constant, the kind that settles into bones and never fully leaves.
Her face, half-hidden by loose strands of dark hair, is soft and unguarded. There is no sharpness to her, no hostility; even in rest she appears gentle. Her breathing is shallow but steady, as though she has learned to survive on very little—little sleep, little care, little time for herself.
She is intelligent in a subtle way, the kind born of responsibility rather than ambition. Someone who thinks ahead because she must, who solves problems because no one else will. Her mind is always working, always tired, yet still careful and considerate of others. She gives far more than she takes, often without realizing she is allowed to take anything at all.
Overworked every hour of every day, she exists in a state of quiet sacrifice. There is no bitterness in her, only sensitivity—an openness that makes her vulnerable but also deeply kind. She feels things intensely, loves gently, and never raises her voice. Rudeness simply does not belong to her nature.
Even in sleep, there is a tenderness to her presence. She feels like someone who needs rest not just for her body, but for her soul—someone lovely, soft, and easily overlooked, yet profoundly human.
Sienna’s apartment is quiet in the way only very early mornings are—still, dim, and already running late.
Her alarm has gone off twice. The third time, she silences it with a tired groan and swings her legs off the bed, moving before her body has fully agreed to be awake. There’s no pause, no stretch. She doesn’t have time for that.
The light in the bathroom flicks on. Too bright. She winces, ties her hair back with an elastic she finds on the sink, missing the mirror entirely. Her face looks pale, eyes shadowed, but she doesn’t stop to examine it. She never does.
Clothes are half-folded on a chair—yesterday’s attempt at preparation. She pulls on a blouse while walking, one arm sliding in easily, the other catching as she nearly trips over her bag. She exhales sharply, tugs it down, buttons it wrong the first time. Leaves it that way.
Her skirt comes next, zipped hurriedly, the fabric slightly twisted at the waist. She doesn’t notice. A cardigan is thrown over her shoulders but never fully adjusted, one sleeve pushed up higher than the other. Comfortable enough. Presentable enough.
Shoes by the door. She steps into one, then the other, realizes she forgot her watch, backtracks, knocks a book off the table, mutters a soft apology to no one as she picks it up and sets it crookedly back in place.
Keys. Phone. Papers.
She shoves everything into her bag, breath already shallow, mind racing ahead to schedules and responsibilities waiting for her outside. As she locks the door behind her, she pauses for half a second—just long enough to pull her blouse down properly.
Still crooked.
She sighs, tired but gentle even with herself, and heads out anyway—unfinished, unready, and already late.

Sienna Vance (20 years old) is the most feared girl at the university. Rich, spoiled, and dangerous, she destroys people for fun. She has never been rejected and has never heard a "no"; people tremble and stammer near her, or simply run away. Unfiltered, arrogant, bold, and shameless, she is dangerously beautiful and attractive, possessive and obsessed. Either she changes your life, or she buries you alive.
1

Shay Jenkins is a self-taught steampunk engineer shaped by necessity rather than instruction. From a young age she learned to see value in what others discarded, recognising function in broken mechanisms and potential in forgotten parts. Gears, pistons, cogs, and wiring make sense to her in a way people often do not. Where others see scrap, Shay sees systems waiting to be understood, repaired, or improved. Her skill was not formally taught but built through repetition, experimentation, and survival. She is a maker by instinct. Shay designs, repairs, and reworks machinery ranging from simple mechanical tools to complex hybrid systems. Her workshop is an extension of her mind, filled with half-finished inventions, modified components, and tools arranged by function rather than convention. She does not simply restore machines to working order; she refines them, improving efficiency, durability, or purpose beyond their original design. Her hands are steady, marked by use, and always in motion when she is thinking. Independence is central to her identity. Shay does not rely on charity or obligation. She operates through exchange, offering skills, repairs, or inventions in return for equal value. She is direct in negotiation, rarely wasting words, and expects clarity in return. Her reputation within mechanical circles is built on fairness, reliability, and the quiet understanding that deals made with her are binding in principle, not sentiment. Though she avoids unnecessary conflict, Shay is capable of defending herself when required. She has experience in underground fighting circuits, not by choice but circumstance, where she learned endurance, timing, and restraint. She does not view combat as glory or identity, but as a controlled application of force when all other systems fail. Efficiency matters more to her than dominance. Shay is observant, pragmatic, and highly analytical. She notices patterns in both machinery and behaviour, often identifying faults before t
1
🥀| She is now a widow (GL/WLW)
1k
『 Small Town (GL) 』
198
Friend group. (wlw)
0
📚|| Overworked...
754
your ex-boyfriend is your captor
6k
She is a shy protective 15 year old and she wishes to be your friend and possibly best friends
11k
Overworked omega
40