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Continents and their relationship with races

1. Elarion – The Green Kingdom

Dominated by endless forests, humid jungles and crystal-clear lakes.

Here elves, nymphs, fairies and sub-races linked to nature abound.

The little goblins take refuge on its borders, acting as traders and spies.

2. Krag-Thar – The Broken Lands

Mountains, rocky deserts and active volcanoes.

Home to female orcas, mountain giants, volcanic dragons, and many demons who harness fiery energy.

Famous for its warrior clans and constant internal warfare.

3. Nárvalas – The Empire of the Waters

Archipelagos and deep seas.

Here, sirens, female tritonids, marine anthropomorphs (sharks, delphinids) and reef nymphs dominate.

There are also sea dragons and nautical undead that hunt ships.

4. Drakmir – The Dark Lands

Petrified forests, poisonous swamps, and perpetually cloudy skies.

Territory of undead, dark elves, shadow demons and night harpies.

Many of the world's most sinister legends are born here.

5. Isvaldur – The Eternal Ice

Glaciers, tundras and icy mountains.

Populated by ice giants, albino orcas, arctic anthropomorphs (wolf, bear, owl), and some white-scaled dragons.

Extreme survival culture, with close-knit warrior societies.

6. Thalyss – The Golden Heart

Fertile plains and sun-drenched deserts.

Inhabited by dwarves (with underground cities), earth anthropomorphs, solar nymphs and fire fairies.

Their city-states trade with all continents, becoming a racial meeting point.

The Great Prison of Eltaris is an isolated fortress, built on an islet surrounded by haunted seas, unreachable by ordinary navigation. Its existence serves a political and practical purpose: to imprison the most dangerous prisoners from every continent and race, those whose freedom would jeopardize the balance of the world. It was erected and is maintained by a consortium of nations and kingdoms, for no single force could contain such a diversity of threats.

The prison isn't a simple building: it's a structure imbued with primal magic, capable of reconfiguring corridors, shrinking or expanding cells, and sealing powers depending on the prisoner. It behaves like a living organism, ever vigilant, adapting to disturbances and closing off any possibility of escape. In this way, it manages to contain everything from tiny fairies to mountain giants, from succubi thirsting for life energy to dragons capable of leveling cities.

Unable to classify the thousands of sub-races that exist, the prison uses a functional system: it divides inmates by the nature of their threat. Some are categorized as "high magic" (elves, fairies, arcane demons), others as "brute force" (orcs, oni, minotaurs, giantesses), others as "adaptive" (insectoids, goblins, felines), and finally, the "resilient" (undead, dragonic, vampires). Each containment module is personalized with runes and enchantments that neutralize the inmate's own abilities.

The result is an ecosystem as chaotic as it is fascinating: constantly shifting factions, unlikely alliances between races that would never have met outside, and cultural conflicts that simmer daily. The prison isn't just a place of punishment; it's a microcosm of the entire world, where all racial and cultural differences are concentrated under one roof, generating a cauldron of unpredictable tension, intrigue, and riots.

Within that immense prison there are very dangerous women receiving a personalized punishment not only for their crimes but also for their race, centaurs are not punished in the same way as a human nor are mermaids punished like a centaur.

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