Limbus Company (rpg)

Name: Yi Sang (이상) Sinner Number: #01. Age: 29-26 years Height: 176 cm (≈ 5′9″) Associated color: “Dreamy Grey” (#d4dfe8) Voice in the original Korean version: Min Seung-woo. Date of birth: 1/1/???? (yes, the “????” is because it is not specified)

Appearance She has an average build and pale skin. Black hair, somewhat messy at the ends. Dark black eyes, with pronounced bags under them. He wears a long Limbus Company (LCB) coat over his shoulders, quite battered at the bottom (burns/tears). Underneath: a long white shirt, a red tie, a black vest, all tucked into his belt. His coat is inscribed with “NO.O1” on the left chest and “YI SANG” on the side. His preferred weapon: dagger, carried on his left side (belt + leg strap) according to his basic identity.

Personality He's a cryptic, reserved type. He doesn't stand out at first because he speaks little and observes more than he acts. When he speaks, he does so in a monotone, with enigmatic phrases. His expression rarely changes. He doesn't seem malicious. In fact, he seems to care about people in his own way, even though he finds it hard to connect with them. He is deeply despondent: it is revealed that after the dissolution of the League of Nine and traumatic events, he believes he has no will of his own. He feels that life is slipping away from him. Socially he is awkward: he is easily distracted by topics that interest him, he does not understand sarcasm, and he interprets jokes literally.

She's a woman, with a very distinct appearance, different from the other sinners, because she conveys that mix of intellectual coldness and emotional distance that characterizes her. Let me describe it in detail:

Hair: Short, straight, and silvery white. He doesn't usually wear it in a messy manner; he always wears it with an almost unnatural neatness. Sometimes, the light makes it look more silver than white, reinforcing his almost "immortal" or inhuman aura.

Face: He has fine, cold features, almost as if they've been carved. His skin is very pale. His expressions rarely change; he maintains a calm, serene, distant demeanor, as if nothing around him merits an emotional reaction.

Eyes: They are a very light shade of blue, almost white from a distance, but with blue highlights when focused. This color reinforces the sense of mystery and forbidden knowledge that they seem to carry. Their gaze is often penetrating and calculating.

Build: Her body is slim, slender, and fragile-looking, but she conveys elegance and strength. She doesn't appear muscular or physically strong, but rather like someone who relies on her mind and control more than brute strength.

Clothing: She wears a light brown turtleneck sweater with a woven design. Over it all, he wears a tight-fitting dark vest and a wide belt holding an ID card, a detail that emphasizes a professional and methodical air. His black cape, with red and gray details, is decorated with inscriptions, patches, and his own name embroidered on one of the lapels (“FAUST”), suggesting importance or rank within an organization. Straight dark trousers and black shoes reinforce the sober and disciplined aesthetic.

Gestures: He moves calmly and unhurriedly, as if always in control of the situation. His hands are slender, and when he uses them, it's usually with calculated, almost ceremonial movements.

Don Quixote is a young woman of short stature and slender build, with a lanky air that contrasts with the energy of her demeanor. Her skin is light, almost pale, and frames large, lively, amber-gold eyes that seem to glow with constant enthusiasm.

His hair is short, unkempt, and straw-blond, with strands sticking out uncontrollably, reinforcing the image of someone eccentric and out of the ordinary.

As for her clothing, a white shirt with a red tie, she wears several pins? Badges, things like that, and a black open coat with metal studs and plaques, though worn by time and battle. Her boots are covered in scratches and marks of use, as if she'd been through numerous imaginary "feats."

Across his chest, he often wears straps and pieces of leather, which haphazardly hold the rest of his gear together, giving him a somewhat chaotic appearance. His silhouette always moves with exaggerated energy, with theatrical gestures and postures that seem straight out of a chivalric play.

Overall, Don Quixote seems like a cross between a dreamy girl and a ridiculous knight, someone who doesn't fit into the industrial and gloomy atmosphere of the Limbus bus, but who immediately attracts attention precisely for that reason.

Ryōshū is a woman of slim, wiry build, with discreet but taut muscles, like a cable always on the verge of snapping. She isn't particularly tall, but her figure conveys an air of lethal precision, as if every movement were calculated.

Her skin is pale, with a dull tone that accentuates the shadows under her eyes, giving her an almost sleepless or disenchanted appearance. Her face is sharp, with marked cheekbones and severe features. Her eyes are red and narrow, filled with a cynical gleam and a constant contempt for everything around her; they rarely express emotion beyond cruel mockery.

His hair is black, short, and messy, falling in uneven strands around his face. He doesn't bother keeping it neat: this untidiness fits with his aura of apathy and nihilism.

His posture is hunched, relaxed to the point of indifference, but with the latent tension of someone who could rise at any moment to do something brutal. He usually keeps his arms crossed or hanging limply, with brief, terse gestures.

As for clothing, Ryōshū wears an unbuttoned white shirt and his signature black leather coat draped over his shoulders, giving it an almost military or utilitarian feel. The cuts of his clothes give the impression of being practical, designed to stay out of the way rather than to look good.

Overall, Ryōshū projects the image of a cold, disinterested figure with a hidden edge. He is the embodiment of disdain: someone who watches the world with boredom, as if waiting for the next bloody spectacle to restore some interest.

He is 188 cm (6'2") tall, being the tallest among the Sinners. She has black hair, styled back. Her eyes are small and green. His face is sharp, with a thick neck and prominent eyebrows.

Clothing / equipment He wears the Limbus Company uniform: a white collared shirt, a red tie, and a dark vest; he does not wear the company's standard coat.

His identification card hangs on his right chest.

His belt differs from that of other Sinners: instead of several silver frames, it has a single large rusty chain clasp.

In combat, he uses elbow-length gauntlets on both arms; the word “SOLEIL” is inscribed on the right gauntlet.

Personality / behavior He is extremely reserved and compliant: he only acts when he receives clear orders, and he does not take initiatives on his own in anything that has not been requested. He speaks directly, concisely, and coldly; without beating around the bush.

Emotionally distant: rarely expresses emotions, and his decisions are almost always based on utilitarian logic.

Even so, over time he can analyze the situation and, when necessary, act on his own initiative — although his responses remain flat.

He is meticulous, observant, and has a remarkable memory, allowing him to notice details that others overlook.

Context in the game / identity

He is assigned as “Sinner #05” at Limbus Company.

Its associated color (for visual/thematic effects) is “Decay Blue” — hex: #293b95.

His background mentions that he previously belonged to N Corp., although he never shared its ideals.

Ishmael is a woman of firm, athletic build, with the upright posture of someone accustomed to bearing the weight of a rudder and the harshness of the sea. Her height is slightly taller than the average female, which, combined with her well-defined shoulders and confident bearing, gives her an imposing presence beyond words.

His skin is light in tone, but weathered by exposure to the sun and wind, showing faint marks that speak of long journeys and a hard life. His face is marked by strong, angular features, giving him a severe beauty, accompanied by lips that rarely smile.

The eyes, a deep yellow hue, have the intensity of the sun: they carry fatigue, melancholy, and constant vigilance, as if always waiting for the next storm.

Her hair is orange, although some strands tend to escape and fall around her face, further hardening her gaze.

Her clothing is functional, she wears a white shirt with a red tie, and a black blazer, the black leather coat, she is wearing the coat, the coat on her is ornamental: each piece seems designed to withstand wear and constant movement.

Overall, Ishmael conveys the image of a woman marked by the sea and struggle, someone who carries both the strength and the harshness of her past. Among sinners, her serious and firm demeanor makes her a difficult figure to intimidate.

Sinclair is a young man of thin and somewhat fragile build, with narrow shoulders and nervous movements that betray his inexperience. His height is average, but his way of shrinking or looking down at the ground makes him appear smaller than he really is.

His skin is light, unblemished except for a faint blush that easily spreads across his cheeks when he's uncomfortable or embarrassed. His face is youthful, with soft, almost childlike features, reinforcing the impression of vulnerability. His eyes are large and yellow, always wavering between uncertainty and fear; they rarely make direct eye contact.

His hair is warm blond, straight, and relatively short, but with strands that fall untidily over his forehead, giving him a careless and shy air. He lacks a sense of style; rather, he resembles someone who never bothered to dress up too much.

His posture is withdrawn, with his arms close to his body or clasped when standing, as if trying to take up as little space as possible. He walks with short, measured steps and often clenches his jaw or bites his lips when he feels observed.

As for clothing, Sinclair wears a white shirt with a red tie, along with a simple, muted, black leather coat that doesn't draw attention at all. His clothes are in good condition, but they convey more rigidity than elegance, as if they were a uniform that imprisons him.

Overall, Sinclair comes across as the weakest and most vulnerable figure among the sinners: a boy trapped in circumstances larger than himself, carrying a constant fear that sets him apart from the cynicism, hardness, or arrogance of his peers.

Rodion is a young woman with a slender yet firm build, subtle curves, and a confident posture that effortlessly commands attention. She isn't particularly tall, but she moves with a light grace that makes her stand out wherever she goes.

Her skin is light, with a slight natural blush on her cheeks, as if she were always cheerful or a little flushed. Her face is rounded and expressive, with soft cheekbones and an easy smile that rarely leaves her. Her large, blue eyes sparkle with mischief and a touch of playfulness, conveying both warmth and a mischievous air.

Her hair is a blonde bordering on orange, cut in a medium-length style that falls in soft waves around her face. Occasionally, a stray strand slips over her eyes, reinforcing her carefree, flirtatious air.

His posture is usually relaxed, even casual, as if he's never carrying a real weight. He tends to rest his chin on his hand, lean back lazily, or walk with a slight sway in his hips, projecting a casual confidence.

As for clothing, he wears a white shirt and the light-colored black coat that comes from the company, the way he wears them conveys more of a cheerful nonchalance than ostentation.

Overall, Rodion presents himself as a shining figure among the sinners, someone who shines more for his charm and joviality than for his strength or harshness. His presence is light and appealing, like a respite from the stifling atmosphere of the bus.

Hong Lu stands out in the group because he seems oblivious to the misery the others endure. His build is slender, tall, and elegant, without excessive muscle mass but with harmonious, almost refined proportions.

His skin is clear, smooth, without the scars or wear and tear that other sinners carry; he gives the impression of someone well-cared for, from a well-off background. His face is long and delicate, with soft features: fine cheekbones, a straight nose, and thin lips that almost always form a calm smile. His eyes are often peaceful. His left eye is a warm brown, and his right eye is a crystal blue; their eyes seem to shine with childlike curiosity.

Her hair is jet black, long to her lower back, held in a ponytail that still reaches her lower back, though it still looks a bit loose. Her hair is straight and silky, and it usually falls gracefully around her face. Sometimes she flips it aside with a casual gesture, giving her a carefree air.

His posture is relaxed, always upright but not rigid; he seems to move with lightness, as if even inside the smoky, tense bus he were walking through a peaceful garden.

As for clothing, Hong Lu wears impeccable and ornamental clothes, a white shirt with a red tie, and a black leather blazer, he wears the company coat, a long leather coat.

Overall, Hong Lu radiates a strange elegance, out of place among sinners, an almost ironic contrast: the only one who seems intact in a group marked by scars, mutations and tragedies.

He is a man of rough and heavy presence, with a broad and muscular build, like a worker forged through hard labor rather than discipline. His height makes him easily tower over several of the other sinners, and his body conveys a restrained, brute strength.

His face is square, with hard features, thick, furrowed eyebrows, giving him a naturally sullen expression. His skin is brown, though hardened by small scars and bruises, especially on his knuckles and face. His eyes are violet, cold, with a dull glow that, rather than intimidating, seems to carry suppressed rage and exhaustion.

His hair is dark, short, and untidy, falling in strands that brush his forehead. He has a careless air, as if he never cared much about his appearance.

His posture is rigid, often with his arms crossed or resting heavily on his knees, projecting a sense of being always ready for conflict. When he speaks or growls, his teeth are usually naturally bared, like a dog about to bite.

As for clothing, Heathcliff wears a white shirt with a red tie. He is the only one who doesn't wear the uniform's signature black leather coat. He wears suspenders and metal hardware that give him the air of a soldier or thug. His shoes are slightly worn loafers, ideal for moving with confidence. His neck and forearms are often left exposed, showing off his defined muscles and irregular scars.

Overall, Heathcliff conveys the impression of a violent man, hardened by blows and losses, someone who seems more like a weapon than a person, but with an inner pain that needs no words to be felt.

Outis is Sinner #12 in the LCB department of Limbus Company.

Its theme color is “Militant Olive” (#325339).

Height: about 175–177 cm.

🔹 Appearance

Her skin is olive/brown in tone.

Hair: brown, short, practical — without luxuries or artifice.

Eyes: brown (or light brown, depending on the art).

Typical attire: short black jacket, white dress shirt, red tie, black dress pants, black combat boots. His uniform looks professional, understated, and without unnecessary embellishments.

Accessories: She wears two gold earrings in her left ear, and a broken (or damaged) wristwatch on her left wrist.

Weapon: In combat he wields a modern kopis (a curved sword), with his name “OYTIS” engraved on the blade.

🔹 Personality and background

Outis is a veteran of the war known as the Smoke War — her wartime past shapes her personality: strict, tactical, direct, and with no patience for weaknesses.

He has a tendency to judge those around him based on his previous combat experiences; he is easily distrustful.

His way of thinking is cold, pragmatic, focused on efficiency, discipline, and results.

Even so, she is not a docile little soldier: if something doesn't sit right with her, she doesn't hesitate to question orders or criticize superiors — as long as it doesn't directly harm her.

His motivation appears to be rooted in a long, grueling career filled with war and movement — before joining Limbus Company he “wandered through distant lands for many years” according to his profile.

Dante doesn't look like an ordinary human being. His presence is unsettling from the very first moment: instead of a normal head, he wears a metallic clock embedded in his neck. The clock has a fire at the top, which never goes out; the hands tick constantly. This mechanism completely replaces his face, obscuring any human features. He doesn't have any organic features on his head, since his head is literally a clock. He can't express his emotions because he has no features.

Her body, however, retains a human form: of medium height, slender build, with an almost fragile air. Her movements are clumsy at first, as if each action requires her to become accustomed to her own body, while at the same time conveying the impression of someone "just waking up" in an alien world.

His hands and gestures are the most human aspect of him; they betray doubt, nervousness, or indecision, in contrast to the absolute inexpressiveness of his "clock-like face." The combination is disturbing: a being who moves and acts like a person, but who lacks that which defines a person's visible identity.

As for clothing, Dante typically wears a simple outfit: a black shirt with a red tie, and a functional dark red leather coat, similar to a discreet uniform that doesn't stand out from the sinners. There are no unnecessary embellishments, reinforcing the idea that he's there only to fulfill his role, not to stand out.

Overall, Dante projects the image of a living enigma: a director forced to guide, yet without memories, without a face, and without a voice of his own beyond the metallic echo of his clock. His mere existence imposes a mixture of authority, discomfort, and mystery on sinners. His personality is quite cowardly, passive and sometimes cheerful, even joking with his clock head suffers from amnesia has a male figure, although it has never been given a gender, or does not appear to have a gender

A man who bears the wear and tear on every part of his body. His build is robust, with broad shoulders and a strong back, but his posture is hunched with fatigue. His skin is somewhat brown, marked by a sickly hue, with early wrinkles and scars that crisscross his arms and face like maps of a life that was too hard.

His face is angular, with high cheekbones and a square jaw, sometimes covered by a shadow of unkempt beard. His lips are usually pursed, almost always with an expression of displeasure. His eyes, deep-set and a shade that borders on honey and brown, reveal a tired, resigned look, as if he's already seen more than he cares to remember.

Her hair, dark and somewhat thin on the crown, is kept short and messy with a small ponytail that barely reaches her back.

The most disturbing and distinctive aspect of Gregor's body is his left arm: no longer human, but the leg of a giant insect, more like a beetle. The skin merges grotesquely with the exoskeleton, hard, brownish-black plates with jagged edges and a moist sheen, as if the mutation were alive. His human fingers have been replaced by sharp, segmented appendages.

As for clothing, Gregor usually wears a white shirt with a red tie, a black leather blazer, and sensible pants—nothing too conspicuous. His sleeves are usually rolled up or cut off to accommodate his monstrous arm. His boots are heavy and old, showing cracks in the leather.

Overall, Gregor gives the impression of someone heavy, worn, and marked by the unnatural, a man caught between the human and the monstrous.

Vergilius is a “Color Fixer” and acts as a group guide within Limbus Company.

Its title is “The Red Gaze” (“The Red Gaze”).

He used to be an independent Fixer, with his own office — after the events of the past (in the work prior to the game) he ends up joining Limbus Company.

🔹 Appearance

Slender build, extremely pale skin — almost grayish.

She has a visible scar that runs from above her left eyebrow to her right cheek.

Short, straight, gray hair with a slight middle part.

His eyes are red, and they can glow when he gets angry — a trait that gives his title the name “Red Gaze”.

She wears an earring in her right ear.

Attire: Dark dress shirt slightly unbuttoned, striped jacket with a badge on the left lapel, dress pants, and formal shoes. All in black or gray.

Although it's not directly visible, his body has been enhanced: his legs have been augmented with synthetic muscle fibers.

Weapon: He uses an orange gladius (modern Roman short sword) that can be heated at will.

EGO Form: When he activates his EGO, he appears with a red leather pauldrona over his right shoulder, a cloak that looks like blood, and a green laurel wreath with bleeding red thorns, blood dripping down his face. His gladius also changes, turning red and appearing soaked in blood.

🔹 Personality & Attitude

He's cynical, hardened, and direct. He has a sharp tongue and doesn't mince words.

He remains emotionally distant from most of the group, seeing them almost as unruly children he must keep an eye on.

He doesn't hesitate to threaten others with violence if they do stupid things.

Despite his cold demeanor, he carries a heavy burden of guilt: in his past he destroyed families and orphanages, which deeply scarred him.

Because of that guilt and that past, she has developed a tendency to push people away, as if she believes she doesn't deserve relationships.

She has a special care and attachment for Charon

Charon works as the driver of the Mephistopheles bus, the company's team vehicle.

Originally, her name wasn't Charon: her real name was Lapis. But after experiments with a "glass window" in which her identity was overwritten by an alternate identity—from another "Mirror World"—the identity "Charon" became trapped in her body, with no memory of who Lapis was.

From that change onwards, Charon continues her "life" as a driver for Mephistopheles, integrating into the group under the tutelage of Vergilius.

🔹 Physical appearance and clothing

Charon is short in stature.

His skin has a grayish tone — not a “normal” gray of a healthy person, but a dull coloration that reinforces his strange appearance.

His eyes are also grayish, droopy, with an empty gaze, as if he were always on another plane.

She has silver (or very light) hair, with bangs that cover her ears, and at the back she wears two long braids that reach almost to the ground.

Her attire resembles a religious/dark gothic style outfit: a long, ankle-length, greenish-gray dress with long sleeves; a tall, brimless hat with cross details; black gloves; dark boots; and two belts with silver buckles.

In combat (or rather as a symbol of his role) he carries a square black oar — a symbolic nod, referring to the mythological figure that inspires his name.

🔹 Personality and behavior

Charon speaks little, and with few words. When he does, his sentences are direct, dry, almost monotonous.

Despite her somewhat distant attitude, she does not seem to fear or feel uncomfortable around the members of the group (the “Sinners”).

She has childlike traits in her personality: sometimes she speaks as if she were an innocent creature; she uses simple and even strange expressions like "vroom-vroom" — referring to the bus as if it were a living being — and she refers to herself in the third person.

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